These paintings are from the book "Marines in the Revolution", available for free at https://archive.org/details/MarinesInTheRevolution. While most of the book's illustrations are of the Continental Marines, there are a few which deal with other marines. All paintings are by Major Charles M. Waterhouse.
The first (chronologically) shows panicked American troops trying desperately to salvage something of their beached gunboat during the Battle of Valcour Island.
The next painting shows John Adams and John Paul Jones reviewing men of the prestigious Regiment Walsh (previously Regiment Rooth, and before that, James II's Foot Guards). Men of Regiment Walsh served aboard the Bon Homme Richard in its battle with HMS Serapis.
This picture is of an oared galley, the Miami, plying the Ohio River. Its crew of Virginia State Marines are there to keep frontier Indians from taking up the tomahawk against colonial settlers.
And last, a scene so universal in the 18th Century: the training of new recruits. The new troops hold their muskets awkwardly and not in unison as an officer barks orders at them. Two other officer stand back, amused, as the townsfolk look on.
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Friday, November 22, 2013
Monday, November 18, 2013
Reformation Day Faire—After Action Report
Reformation Day Faire—After Action Report
From October 18-20, my family and I went to Providence
Church’s Reformation Day Faire. The
theme of this year’s Faire was “Celtic Christianity” and the lecturers were Dr.
Marcus Serven, Dr. R. C. Sproul Jr., and Providence’s own Rev. James
McDonald. It began Friday afternoon and
lasted until Saturday night. Pastor
McDonald stated his three goals for the conference: “to strengthen your faith,
to encourage your family, and to have fun!”
Friday began with a lecture by Dr. Serven. Entitled “Doctrine Divides,” it was an
overview of the distinctive doctrines of the Celtic Church. For those interested, all lectures are
available, for free, at http://www.providencecpc.org/category/resources/media/special-messages/reformation-day/
The next lecture was by Dr. Sproul Jr. It was titled “Liturgical Worship and Celtic
Christianity.”
After another break came Psalm Instruction, where all who
desired could learn/practice singing in four-part harmony. There were two songs this year “Psalm 144”
and “We Lift up as our Shield God’s Name,” a shortened version of St. Patrick’s
Breastplate.
Next came “The Celtic Church and Missions” a lecture
charting the amazing missionary endeavors of the Celtic Church. St. Brendan and others were featured in this
lecture by Dr. Serven.
After this lecture came a dinner break, followed by an
informal “jam session” from Andy Kenway and his two brothers. Next came a concert by Mr. Charlie Zahm. The concert closed a fun-filled day, but
there was another action-packed day to come.
The first lecture on Saturday was “The Living Theology of
Patrick” by Dr. Sproul Jr. This lecture
detailed how Patrick of Ireland’s theology influenced all of his life.
After another break came “One Simple Life: Reflecting on
Patrick of Ireland” by Rev. McDonald. He
gave an overview of the extraordinary life of Patrick.
The last lecture of the conference was “From Minister to
Parish” by Dr. Sproul Jr. It was a call
to action for all Christians, to go into their parish, the world, bringing
Christ’s light.
Dr. Sproul’s was the last lecture, so we dispersed for lunch,
but the conference was far from over!
After lunch was “Towne Square”, an ambient area of the
parking lot dedicated to hands-on activities from the era. For example, you could copy a manuscript, or
dip a candle, or participate in many other crafts.
When the “Towne Square” had finished, we followed the bagpiper
to a nearby park, to participate in Highland Games. Young men could toss the caber (a large log)
or throw a roughly 40 lb. rock. For
younger athletes, a smaller rock was provided.
When everyone who wanted to had sent the caber and rocks
through the air, the last event of the Highland Games was announced: the
far-famed Boffer War. A “Boffer” is a
PVC pipe, wrapped in foam (to lessen the impact) and then liberally covered
with duct tape. These are used like
swords as men and boys run around and try to deck someone else with them. The rules for the game are very simple: “One
hit and you’re out; hit someone on the head and you’re out.” The head is protected, but this didn’t stop
at least one person from getting his glasses hit and twisted on his face.
The most-anticipated part of the Boffer War, though, is the
melee. The players are split into two
teams, who then battle it out. The last
team left on the field, wins. In that
round, I managed to lose any teammates I recognized (or any enemies I recognized
for that matter) and spent most of the battle wandering around cluelessly. I was not alone in this confusion, as I
walked into a group of perhaps fifteen other baffled Boffer-ists. Finally, I was hit by an opponent and went
out of the game for that round.
After the games came dinner, prepared by the folk of
Providence Church. As always (this is my
third year at Reformation Day Faire), the dinner was delicious.
The last event in the queue was a Historic Ball. The dances were of the English Country sort. This was an enjoyable end to a very enjoyable
weekend! Pictures will be forthcoming.
Thursday, November 7, 2013
1745 Gallery by John Everett Millais
Bonnie Prince Charlie's 1745 expedition to reclaim the British crown for his father has captured the imagination of British artists for years. One artist who painted 2 paintings of this era is John Everett Millais. Millais's paintings are not focused on the statesmen who guided whole countries in this monumental event. Nor are they battle panoramas, showing the desperate heroism of charging Jacobites and the immovable red coated British. Instead, these two painting capture something different. In "An Idyll of 1745" three lasses listen as a young British fifer plays to them. Behind the fifer is a Loyal volunteer, seemingly enjoying the moment. In the background is a British Army camp, likely where the fifer and volunteer came from. It seems to be a welcome diversion for all from the business of war.
The next painting deals with the aftermath of the Battle of Culloden. An imprisoned Jacobite has been released and allowed to return home to his wife and bairn (young child). However, he is not without scars as his right arm has been badly injured. The British soldier gives the wife the "Order of Release", the title of the painting.
Millais's two paintings are in honor of the civilians of 1745. The war affected them, no matter which side won. Homes were burnt, crops destroyed or stolen, and loved ones maimed or killed. They show the friendship between the two sides of the rising, that despite political differences, love and friendship can transcend them.
"But love ye your enemies, and do good, and lend, hoping for nothing again; and your reward shall be great, and ye shall be the children of the Highest: for he is kind unto the unthankful and to the evil."--Luke 6:35