Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Thursday, April 26, 2018

Courage





Courage.  It is a quality that many admire, but one that can be dangerous for one's well-being or safety.  Too often today we see people buckling under pressure and recanting ideas rather than face opposition.  Two movies offer beautiful examples of characters making the right decision and courageously facing whatever outcome will happen.

The first one comes from the 2005 movie The Lion, the Witch, and the Wardrobe.  After running from the forces of the evil White Witch, Peter Pevensie is forced to make a crucial decision on his own.  Informed that the Witch's army is at hand, Peter must decide to fight or flee.



Peter is ready to enter battle for a free Narnia
But this fateful decision is not for himself alone.  If he decides to stand and fight, Peter must commit the entire free Narnian army, as well as his brother, to a conflict against the numerically superior enemy.  Peter decides to engage in battle, and he positions himself in the front line.  Even though it may cost him everything, Peter Pevensie has the courage to fight for a free Narnia against immense opposition.



A similar selfless courage is found in (of all places) the 1991 animated movie Beauty and the Beast.  In the movie, a self-centered prince is turned into a beast as punishment.  Unless he can learn to love and be loved in return before his enchanted rose dies, he will remain a beast.  Beast falls in love with a girl he imprisoned named Belle, and she begins to see the change in him from selfish to caring.  But at the same time, she desperately wants to see her father again. 




"I release you...you are no longer my prisoner."
Time is now running out fast for Beast: the rose will die in less than 6 hours.  If she can remain with him just a little longer...perhaps he can return to humanity again.  After an internal struggle, Beast tells Belle, "You must go to him...you are no longer my prisoner" and Belle rides off to be reunited with her father.  After his decade-long experience as a monster inside and out, the Beast has the courage to sacrifice his own wishes and desires--in fact, his one chance at returning to humanity--for someone that he loves deeply.


Stand courageously!



Monday, January 9, 2017

Movie Review: Defense of New Haven

Most of my reviews begin with a summary of the movie’s storyline, a critique of historical details, and then end with my final thoughts. For the recent movie The Defense of New Haven, I will invert this order and give my final thoughts first: see this movie. This is easily one of the best movies I have seen in a long time. A good storyline, good acting, interesting special effects, and hilarious humor are all present. 5/5 stars.

Alec is a young fellow who aids an agent of the City Defense Force (CDF) to escape from the evil Raiders. The agent is captured, but passes his message (and a training manual) on to Alec, with the task of getting it to the local CDF headquarters. Alec hitches a ride on a patrol boat and arrives with the message. While at the headquarters, he receives news that the Raiders have hit another building and all its occupants have mysteriously disappeared. When he learns that the building was the orphanage where he and his little sister used to live, the war becomes personal to Alec.

He succeeds in joining the CDF and soon becomes a model student. His days are spent in target practice with powerful crossbows, boat maintenance, and reading the textbooks assigned by Winston, the local CDF chief. But the manual that Alec received from the agent is dismissed with the comment “It was alright for its time.” That manual begins to baffle Alec, as a bookmark appears in a new section of it every day.

Throughout the ongoing operations between the CDF and the Raiders, Alec plays a conspicuous and important part. His gallantry prevents a box of explosives from being detonated, which leads to an important discovery of Raider tunnels. In quest of further information, he and his friend Pete travel upriver to a shady area, where they survive a brawl at Pelican Cove.

After this, Alec concocts a plan to find out who keeps putting bookmarks in his old manual and returns to CDF barracks after stating he would like a few days of leave. Before he can observe anything, he is caught red-handed by Louise, a CDF supervisor. All appearances tend to confirm one fact: Alec is a spy. He vehemently denies it to his friend Pete, but is permanently fired from the CDF.

What next? How will Alec continue the fight? Will the Raiders succeed? Which character is the Raiders’ spy in CDF headquarters anyway? I won’t spoil any more of the story for you; instead, you will have to watch it for yourself.

The acting is done by a group of children, many of whom are double or triple-cast. Mustaches or beards keep them separate (as well as add to the humor). For example,Winston the chief and Eddie the mechanic are both played by the same actor; however, Eddie sports a short one, and Winston a full gray beard.

It would have been easy to float this movie on cute kids, but the producers put time into creating an engaging storyline, interesting visuals, and even some action sequences. When all four elements (story, visuals, action, and cute kids) come together, the result is a magnificent movie. I would highly recommend that you acquire a copy and watch it—as soon as possible! 5/5 stars.

Monday, September 26, 2016

Unmerited: Movie Review

 

Official Description: “Two brothers estranged after a tragic accident, meet unexpectedly years later.”

The concept for this movie is taken from Ezekiel 16:64 "That thou mayest remember, and be confounded, and never open thy mouth any more because of thy shame, when I am pacified toward thee for all that thou hast done, saith the Lord GOD."

My Review: (beware, spoilers ahead)

The American Revolution has broken out and Charles Rosse is serving as a Continental private. When his unit engages in battle against the British, Charles’ comrade is shot and killed. This stirs painful memories for Charles, as he remembers that his younger brother Henry fell from a ship’s rigging and died.

With the end of the American Revolution, Charles Rosse returns to his home town. He stops at the harbor, looking at a merchant ship being unloaded. A gentleman sits nearby, tallying the stores. The gentleman looks at Charles, and Charles moves away. Despite his service in the war, no one greets him kindly. Townsfolk pass on their way, and the landlady refuses to rent him a room because he can only pay in worthless Continental paper dollars. Disconsolately, Charles walks down the street until he is accosted by a young girl about 9 years old. She cheerfully informs Charles that her father would like to see him. After some hesitation, Charles decides to follow her.

Much to his surprise, the girl’s father is familiar—in fact, he is none other than Charles’ long-dead brother Henry! The accident was not fatal, even though Henry was crippled in one leg. For 15 years Charles had not seen Henry, because he fled from his family. Charles is certain that his father despises him, until Henry informs him that their father died, wishing for Charles’ return.


Reluctantly, Charles informs his brother that the accident on the rigging was deliberate. Charles felt slighted because of his younger brother, so he deliberately caused Henry to fall from the rigging, breaking his leg. Yet even with this news, Henry states that he forgives his brother. But Charles does not believe him and prepares to wander away to another town. As Charles makes ready to exit the graveyard, Henry calls after him “I still forgive you.” This finally convinces Charles that Henry still loves him. He turns back and the two brothers are reunited.  Henry owns a merchant ship (he was the gentleman tallying stores) and he offers Charles a position as skipper.
(Spoiler warning ends.)


My Thoughts

This is a little gem of a movie. Less than 10 minutes long, it packs both an important message and impressive visual shots. Its message of forgiveness and love in the face of suffering is one that we should never tire of (see also my Lessons Learned from the Noah Conference at
http://defendingthelegacy.blogspot.com/2016/09/lessons-learned-from-noah-conference.html)

As well as an important message, this movie also contains lavish visuals. From the colonial town that Charles wanders through, to the battle between companies of Continentals and Redcoats, this movie’s sets and costumes are top-notch.

My conclusion: Impressive scenery, sets, and a ship combined with a powerful story of love and forgiveness make this movie worth watching. 5/5 stars.

See it here!



Sunday, August 14, 2016

Alone Yet Not Alone Movie Review: Part 2


 
Alone Yet Not Alone
Released 2013
1 hour 43 minutes
MPAA Rating: PG-13



In my previous review (which can be read at http://defendingthelegacy.blogspot.com/2016/08/alone-yet-not-alone-movie-review-part-1.html), I dealt with the first half of Alone Yet Not Alone, with Natalie Raccosin in the leading role. The second half begins when Kelly Greyson takes the role of Barbara.



A title announces “Many years later” as the camera pans across the Indian village of Moschingo. But the “many years” they refer to is only 3 years later, in 1759. The movie itself gives multiple clues to confirm this date. In council, the chief mentions that Fort Duquesne has been captured by the English. The Indians decide to form a war party and join the French to retake Fort Duquesne. This points to some time later than 1758, for the British captured Fort Duquesne in November of that year. Yet it cannot be much beyond 1760, as all French troops surrendered in September of 1760. This fixes the date between 1758 and 1760.



Barbara is informed that the warrior Galasko wants to marry her. She determines (after some prodding by her friend and fellow-captive Marie) to escape. Her escape is facilitated by the fact that all of the Indian warriors (except the formidable Hannawoa) have gone to Fort Duquesne to aid the French in defeating the English. 



Again, this is another clue as to an early 1759 setting. The French evacuated Duquesne in November of 1758, so it is no surprise that this distant village of Delaware Indians has not yet learned of its abandonment.



Four English captives—Barbara, Marie, Owen, and David—steal a canoe and paddle away. But Hannawoa remains at the village, realizes that they have escaped, and embarks in pursuit of them. Through forest and stream, waterfall and rock, pursuer and pursued run. At last the foursome are within sight of Fort Pitt, a British outpost on the site of Fort Duquesne (which had been destroyed by the retreating French).  



In his travels, Hannawoa had come across his brother Galasko’s warband. Galasko follows Hannawoa in his pursuit, which irritates Hannawoa so much that he tomahawks his brother in the back. Coldly stealing his weapons (a musket and tomahawk), Hannawoa continues his pursuit of Barbara.



As the captives signal and shout at the fort for assistance, the British and colonists prepare to shoot them down. Fortunately for them, a British officer orders a halt while he asks permission to reconnoiter in a boat.  Several British regulars under Captain Thomas row across to determine whether these escapees are attempting to lure the garrison of Fort Pitt into an ambush. Barbara’s fluency with both English and German persuades them, and they quickly disembark—only to be challenged by Hannawoa.



Hannawoa’s first shot drops a Brit, while the British return volley succeeds in missing him entirely. The British then foolishly run at Hannawoa one by one (without bayonets!), and are hit by his tomahawks. Owen and David attempt to fight back, but one is quickly eliminated.  Captain Thomas, draws a pistol with historically accurate sangfroid and shoots Hannawoa in the shoulder. Yet again the Britisher is sent sprawling on the turf.



Moments from death, Barbara fumbles in Captain Thomas’s belt, draws another pistol and shoots Hannawoa, who is then skewered by a conveniently arriving Redcoat. This scene is undoubtedly the worst in the entire movie. Its historicity is not accurate; in fact, I wrote an entire blog post analyzing this one scene (read it at http://defendingthelegacy.blogspot.com/2016/02/british-regulars-from-movie-alone-yet.html)



The four captives are escorted into Fort Pitt, where they have supper and receive lodging for the night. Next morning, Captain Thomas (whose pistol Barbara borrowed) suggests that Barbara and Marie would like a warm bath and a soldier’s wife is quick to oblige. The soap used at Fort Pitt must be extremely strong, as it quickly strips the black dye from Barbara’s hair, returning it to blonde again. A dress worn by Colonel Mercer’s daughter conveniently fits Barbara to a T.



Escorted by the obliging Captain Thomas, Barbara and her friends enter Philadelphia, where she is reunited with her mother and brother. In the 5 years that follow (from 1759 to the end of 1763), the Leininger family raises good crops and becomes quite well-off. Barbara accepts a man named Fritz in marriage and on Christmas Eve of 1763, the entire family gathers together—with the poignant exception of Regina.



A knock pounds on their door, and rather than look out the large glass windows to identify the unexpected visitor, Fritz cocks a musket and points it at the door. When it is opened, it discloses the terrified face of the local Pastor Muhlenberg. Pastor Muhlenberg brings exciting if inaccurate news: “Colonel Armstrong and the Royal Americans have defeated the Ohio Indians!”



The battle that the Reverend refers to is the Battle of Bushy Run on July 3, 1763. There, a force of British and colonial troops defeated an Indian force in a two-day battle. Colonel Henri Bouquet commanded the British, and outfought the Indians with a cunning ambush and feigned retreat. Colonel Armstrong was not a part of the victory and only 16 men of the Royal Americans were part of Bouquet’s force! Actually, the 42nd Royal Highland Regiment and Montgomery’s 77th Highlanders comprised 390 men of Bouquet’s force, while the 60th Royal American Regiment (referred to by Pastor Muhlenberg) furnished only 16 men. (1)



Pastor Muhlenberg tells the Leininger family that Colonel Armstrong (it should be Colonel Bouquet) has insisted on the return of all English captives still left in the Indians’ towns as part of the peace treaty. They will be gathered at Fort Carlisle, and Mother and Barbara decide to journey there to find Regina.



They search through endless lines of captives and ask Colonel Armstrong for help. He inquires if Regina had any birthmarks, nicknames, or scars—anything that could identify her. This gives Mother Leininger an idea. Through the lines of captives she walks, singing a German hymn “Alone yet not Alone.” When Regina hears it, she recognizes the song and her mother and is reunited with them. The movie ends with a stirring performance of the song by Joni Eareckson Tada.



The second half of the movie is much weaker than the first. While the first half had good acting, many of the actors in the second half are flat, including Barbara, Owen, and David. However, some actors are good, such as Mother Leininger and Colonel Armstrong.



My score for the second half is 1/5 stars. The ending fight sequence and flat acting make this half much weaker than the first. The best part of the second half is Joni Eareckson Tada’s rendition of the hymn Alone Yet Not Alone.



My overall rating of Alone Yet Not Alone is 2/5 stars. I would recommend this movie for the scenery, some French & Indian War action, and some good performances by some of the actors. Perhaps the best commendation I can give it is to say that when I had finished watching it for the first time, I was eager to paint some French & Indian War figures and recreate this pivotal era for myself. (2)



Would you like to hear the song Alone Yet Not Alone? This video shows Joni Eareckson Tada's performance, as well as some of the best scenes of the movie.



References:

(1) pg. 90, Through So Many Dangers: The Memoirs and Adventures of Robert Kirk by Robert Kirk, Ian McCullough, and Timothy Todish

(2) To see some of my painted soldiers, visit my other blog Red Coats and Ruffles at www.redcoatsandruffles.blogspot.com

Monday, August 1, 2016

Alone Yet Not Alone Movie Review: Part 1



Alone Yet Not Alone
Released 2013
Length: 1 hour 43 minutes
MPAA Rating: PG-13


When this movie was first announced, I was excited. It was a movie set in one of my favorite eras—the French and Indian War! Perhaps it would include the indomitable James Wolfe, the courtly Marquis de Montcalm, or the daring Robert Rogers. Hopefully redcoated British regulars, blue-clad provincials and green-jacketed Rangers would clash with French regulars and painted Indians in epic battles! My sister disagreed with my hopes for the movie. She believed it would be a heart-stirring drama of two sisters who attempt to rebuild their lives in the midst of a war that turns their world upside down.
 
We were both wrong. Alone Yet Not Alone turned out to be neither what my sister nor I expected. This review will go through the movie’s story as well as a little of the history behind it. Because the movie naturally divides itself into two parts, I will divide my review the same way.

The year is 1755 and the Leininger family has immigrated into the colony of Pennsylvania. There they purchase land and begin a new life for themselves in the wilderness. They quickly plant crops and erect a house.

But trouble is brewing not far away. The pompous British General Edward Braddock dismisses his Indian allies, (against the advice of his superior aide named George Washington) claiming that the British will drive away the French without them. Understandably disturbed, the Indians switch alliances from the British to the French. The history portrayed here is simply absurd. Braddock did not drive away the Indians with his arrogance (for more on this subject, see my series called “The Trial of Edward Braddock” at
http://defendingthelegacy.blogspot.com/search/label/Braddock).  The Indians did not join the French because they were rebuffed by Braddock; instead the French had built relationships among the Indians, mainly through the fur trade.


The Delaware warrior Galasko examines the grotto where
Barbara and her sister are hiding
In council, the Delaware Indians decide to take up the hatchet against the British settlements. Two brother warriors named Galasko and Hannewoa descend on the Leiningers’ home when the mother and two brothers are away at town. In a brief fight (the most convincing in the entire movie), the Indians kill the father and the last brother before burning the house and crops to the ground. The Leinginers’ two daughters, Barbara and Regina, flee down the creek into a rocky grotto, but the Indians follow in a canoe and succeed in capturing the two sisters.

Barbara and Regina are marched through Pennsylvania to Fort Du Quesne, but they are separated when the war party they are travelling in breaks up. Regina is sent with one group of Indians while Barbara remains with another group. Barbara is heartbroken, so when an opportunity to rejoin Regina appears (in the shape of a horse), she takes it. Headlong she plunges through thickets in a vain attempt to find her sister. But she is quickly recaptured and sentenced to death. Help arrives from an unexpected source when Galascow intervenes, praising her courage.

Alone Yet Not Alone's portrayal of Fort Duquesne

The Delaware Indians make a journey to a French fortress called Fort Du Quesne. The scenes in Fort Du Quesne are some of the most visually beautiful in the entire movie. Compagnies Franches de la Marine and French militia garrison the fort as war parties of Indians pass through its gates. The year is 1756, a year of success for the French and Indians in their war against the British. Eventually Galasko and his band leave Fort Du Quesne and settle into the village of Kittanning.

Unbeknownst to Barbara and the Delawares, the Pennsylvania Assembly has finally voted to raise money to fight the French and Indians. The Quakers had not wanted to raise money for the military, so a band of irate Scotch-Irish and German settlers marched on Philadelphia. A circumlocution is introduced into the militia bill, agreeing to appropriate money “for the King’s use”. Because the Quakers are not voting to raise money for war, they reluctantly agree, and the bill is passed.

This account is true, but Pennsylvania also suffered from taxation issues: the Assembly wanted to tax the lands of the Penn family, while the Governor (who was their representative) could not agree to it. Eventually the situation was ironed out with a “gift” from the Penn family of 5,000 pounds to help pay for the militia. (1)

John Armstrong is appointed to command the militia of Pennsylvania (at least those west of the Susquehanna River) (2). Their first target is the Indian settlement of Kittanning Village.


Colonel Armstrong (center) prepares to advance
Colonel Armstrong (not Captain; he was promoted in March of 1756) and his raid on Kittanning are true pieces of history; however, they are poorly portrayed in this movie. First of all, Kittanning Village was a collection of about 30 log cabins, rather than the birch-bark wigwams shown in the movie. The raid actually began shortly after dawn, rather than in the afternoon. The Pennsylvania militia is shown as suffering most of their casualties from hand-to-hand fighting. Actually, the Indians positioned themselves in their cabins and engaged in a firefight with the militia. In his report, Captain Armstrong observes that "they seldom missed of killing or wounding some of our people." (3) The tables finally turn for the Pennsylvanians when they light the cabins on fire, causing them to explode because of the large amounts of gunpowder stored within. That would have made an interesting scene for the movie!

As Kittanning Village burns, one of the captives named Lydia attempts to escape with two captive children. She is caught (but the children are found by the Pennsylvanians) and sentenced to die by being burnt at the stake. Some time afterward, a French officer and his men arrive on the scene. This officer is attempting to conduct this war honorably, and torturing a prisoner is dishonorable. 

French lieutenant of the Compagnies Franches de la Marine
He is an important character in the movie, for he provides a counterpoint to the official in Fort Duquesne who is buying scalps. One conducted the war savagely, the other honorably. Yet the character of both were represented in the French military during the French & Indian War. To cite merely one example, Governor-General Vaudreuil meticulously counted the number of scalps brought in by Indians and sent that information to the Minister of Marine in France, while General Montcalm risked his life to save the English (his enemies) from the Indians (his allies) during the Fort William-Henry massacre.


Galasko, Hannawoa, Barbara and the rest of their Indian band return to Galasko’s village of Moschkingo. There Barbara and her friend and fellow-captive Marie settle into the ways of life there.  

Some characters that I believed did an excellent job in their roles include Lydia the English captive. She is an excellent motherly presence to this group of captured children. Barbara’s scene where she attempts to escape on a horse is another well-acted scene. The French lieutenant is devout and honorable, while Galasko and Hannowoa provide an interesting contrast to each other.




Lydia attempts to escape from Kittanning Village

The movie makes a natural break here, as young Barbara (Natalie Raccosin) becomes Barbara (Kelly Greyson). I would rate the first half of the movie 3/5 stars. Lydia and Fort Du Quesne are some of my favorite parts, but the erroneous portrayal of Braddock and the Kittanning raid bring the score down to 3/5. 

My next post will tackle the second half of the movie, with Kelly Greyson in the lead role.

(1) A fuller account of the financial wrangling in Pennsylvania can be found in Francis Parkman's classic Montcalm and Wolfe. Read it for free at
http://www.gutenberg.org/cache/epub/14517/pg14517-images.html (search for Chapter 13)

(2) pg. 18, Military Uniforms in America: The Era of the American Revolution 1755-1795 (San Rafael, CA: Presidio, 1975)

(3) pg. 258, Colonial Records of Pennsylvania. This source contains Colonel Armstrong's report to the Governor of Pennsylvania on the success of his raid. Available at:
https://archive.org/stream/colonialrecordsov7harr#page/n279/mode/2up

Tuesday, April 5, 2016

The Trial of Edward Braddock part 1

Part First: The Charges Brought, by the movie Alone Yet Not Alone

 

It came to pass one day that I read a book telling the story of the French and Indian War.  As I read, I contemplated the characters who acted in it: George Washington, Sieur de Jumonville, the Half-King, and General Edward Braddock.  Braddock especially intrigued me.  Here was a man courageous in battle yet defeated and killed by Native American Indians and French Canadians.  Did Braddock’s defeat stem from the fact that he had no Indians on his side?  Was Braddock merely unfortunate, or did he deliberately drive his natives away, atoning for his mistake with his death?

 

I heard a slight noise as a gentleman in a red coat with gold lace sat down near me.  Looking up, I realized that I was in a courtroom, which was rapidly filling up.  Oddly enough, I sat in a chair in the middle of the court while benches in the two halves of the court contained the rest of the crowd.  On one side I noticed an Indian chieftain seated next to a pioneer settler; on the other, a female actress and a soldier in a red coat.  It was clear that every one was deeply interested in the case.  The audience was, probably wisely, separated into pro and con, defendants and prosecutors.

 

“Oyez!  Oyez!  Oyez!” shouted the bailiff.  “This honorable court will now come to order to consider the case of Edward Braddock.  In brief, the charges are as follows: Edward Braddock, major-general in the British Army under George II, conducted himself in the 13 colonies with arrogance, and treated with reckless contempt his Indian allies.  This neglect and dereliction of duty caused his defeat and death at the Battle of the Monongahela on July 9, 1755.  The prosecutor will now present his evidence.”

 

Edward Braddock, from the movie Alone Yet Not Alone
The prosecutor stepped forward and began to read as follows:

 

Colonel George Washington: “The chiefs of all six tribes request an audience with Your Excellency.”

General Edward Braddock: “Colonel Washington, can’t you see I have no time for savages?”

Washington: “Sir, the chiefs bring with them over 400 warriors.  They will prove invaluable as we near Fort Duquense.”

Braddock: “Invaluable?  Are you suggesting His Majesty’s finest regiments require the assistance of untrained, illiterate savages to win in this battle?”

Washington: “They are masters of stealth and ambush.  We can employ them to protect our flanks.  Your troops cannot shoot an enemy they cannot see.”

Braddock: “Washington, you weary me.  Very well.  Give me a moment and then show them in.”

Washington: “General Braddock, may I present the great Delaware chief, Shingas.

Chief Shingas of the Delaware: “General, my people have lived, hunted on these lands from the beginning of time.  Now we willingly share these lands with the English.  We join you in driving French from these lands.  We ask only once the French are gone, that you grant us lands for hunting to feed our children.”

Braddock: “Never!  Only the British shall inherit this land.”

Shingas: “General, we willingly take up the tomahawk against the French.  We defend your cause with our lives.”

Braddock: “His Majesty’s troops do not need you to win this battle.  No savage shall ever inherit this land.  Is that clear?  Now, begone.” (1)

 

  1. This transcript is from the movie Alone Yet Not Alone.  For more about this movie, see www.aloneyetnotalone.com

Friday, February 5, 2016

British Regulars from the Movie Alone Yet Not Alone


I recently watched the movie Alone Yet Not Alone.  It is set in the French and Indian War and follows the journey of a young girl captured in an Indian raid.  She lives with the Indians for four years until she escapes and reaches safety at Fort Pitt.  While much of the clothing and the scenery is visually beautiful, this movie unfortunately contains two historical errors.  I will deal with the first one in this post and the second one later.  This is not a full movie review, but perhaps I will (later) give a brief overview of what I thought of the movie itself.

Production photo of the British battling an Indian.
Picture from Alone Yet not Alone's Facebook page:
https://www.facebook.com/aloneyetnotalone
In Alone yet not Alone, the British regulars are portrayed as lacking in hand to hand combat skills and having no concept of teamwork.  Thankfully, this portrayal is confined to one scene because all other fight sequences are between the Indians, colonists, and French.  Their depiction of the British soldiers is as follows

 

*Spoiler warning*

 The heroine of the story named Barbara Leininger has finally reached British-held Fort Pitt in the year 1759.  She and her three companions call across the Ohio River for help.  To investigate them, a British-manned bateau is launched from Fort Pitt.  After ascertaining that Barbara and her friends are true refugees and not decoys to lure them into ambush, they disembark to conduct them to Fort Pitt. 

Suddenly they are attacked by a lone Indian named Hannawoa, who shoots one Brit with his musket and charges headlong toward the rest.  They respond with a scattered volley of shots and charge Hannawoa one at a time.  The first redcoat swings his musket butt like a club but is dispatched by Hannawoa.  Two other soldiers run up to their foe without attempting to injure him with their muskets (which oddly enough do not have bayonets fixed).

Left: a painting of a grenadier of the 46th Regiment
Right: a photo of a private soldier, possibly of the 46th
The British officer draws a pistol, shoots Hannawoa in the shoulder and draws his sword, but is defeated.  Now Barbara fumbles in the belt of the wounded officer, draws another pistol and shoots Hannawoa.  As he hits the earth, a British soldier skewers him with a bayonet.

*Spoiler warning ends*

           

This, then, is their portrayal of the British soldiers of the French and Indian War, with no group cohesion and not generally armed with bayonets.  How does it compare with history? 

Author Stuart Reid is an expert on British infantrymen of the 1700s.  He says: “…The individual soldier probably found it more easy and effective to simply butt-stroke rather than to stab his opponent in a hand-to-hand skirmish.  Contemporary bayonet fighting drills consequently reflected and stressed the need for soldiers to act in concert rather than individually.”  (1, emphasis mine)

In his attack in Quebec in 1759, General James Wolfe stressed the importance of the bayonet: “The light infantry of this army are to have their bayonets, as the want of ammunition may at some times be supplied by that weapon, and because no man should leave his post, under pretence that all his cartridges were fired.  In most attacks of the night it must be remembered that bayonets are preferable to fire.” (2)

This is the red-with-blue-lapel-and-cuff
uniform discussed in the text.
Having established that British soldiers were armed with the bayonet and knew how to use it, let us look briefly at group cohesion.  The redcoats in the movie are a detachment of 6 men drawn from two regiments: the 46th and the 60th Royal Americans. (3)


The uniform of the 60th Royal American Regiment
From the Seven Years' War Project at
http://kronoskaf.com/syw/index.php?
 “Nothing will make a soldier like service,” said Sir William Erskine (4) in 1776 and the 46th and 60th Royal Americans were seasoned campaigners.  In 1758, the 46th and 60th had participated in the Battle of Fort Carillon (5).  In 1759, they were involved in a campaign to capture Fort Niagara, where they decisively defeated a force of French soldiers, couriers du bois and Indians at the Battle of La Belle Famille. (6)  Because of their previous battlefield experiences, these men would be very competent soldiers.

Considering their previous service and their distinct victory over the Indians at the Battle of La Belle Famille in 1759, it is unwarranted (to say the least) to depict these tough regulars as incompetents.  While the Indians were excellent warriors, by 1759, the British too had learned the ways of woodland warfare.  Why should one side be portrayed as nearly invincible while the other is made up of bumbling buffoons?

I’ll end with an apropos quote from Timothy J. Todish and Todd E. Harburn: “In the end, both the Indians and the British were just doing their jobs for the cause they believed in.” (7)

 

  1. pg. 38, Like Hungry Wolves: Culloden Moor 16 April 1746 by Stuart Reid (London: Withrow & Greene Ltd, 1994)
  2. pg. 16 Quebec 1759 by Stuart Reid (Oxford: Osprey 2003)
  3. This is a tricky point.  Their specific combination of plain white lace on blue lapels and cuffs is closest to the 2nd Coldstream Guards.  The Coldstreams, however, were nowhere near North America, as they were in London in 1759!  The 60th Royal Americans were stationed in North America in various detachments, but their blue lapels had no lace.  I have decided to identify them as the 60th despite the white lace.
  4. pg. 120, With Zeal and With Bayonets Only by Matthew H. Spring (University of Oklahoma: Norman, 2010)
  5. Because the dating in Alone Yet Not Alone is not explicitly given, these soldiers could either be garrisoning Fort Pitt as the expedition to take Fort Niagara assembles; alternately, Niagara could be in British hands at this point because it surrendered on July 25, 1759.
  6. pg. 107, The British Military and the Pontiac Indian Uprising of 1763-1764 by Timothy J. Todish and Todd E. Harburn (Fleischmanns: Purple Mountain Press, 2006)


 

Monday, December 14, 2015

Beyond the Mask in 30 Seconds with LEGO--Credits

The video featured in the previous blog post (see at http://www.defendingthelegacy.blogspot.com/2015/12/beyond-mask-30-seconds-with-lego.html) is one that my siblings and I created for a contest run by Beyond the Mask.  Because the winner is the video with the most views, please watch and, if you liked it, tell your friends about it.

My part in this video was co-writing the script, constructing most of the sets, character design, and all the editing.  Many of the Lego bricks seen in this movie are from my collection.  My voice was used for Charles Kemp (the villain).


My sister co-wrote the script with me, set up scenes and lighting, and was assistant camerawoman.  She also worked on character design.  Her voice was used for Charlotte Holloway (the heroine).


My brother set up the scenes and lighting, was chief cameraman and director of photography. He helped with character design (Will's appearance was entirely his work) as well as some set construction and supervising all stunts and stuntmen.  His voice was used for William Reynolds (the hero).



Will Reynolds (center with hair) is framed by Mr. Harrison (far left).
George Washington is at the far right.

My dad's voice was used for Mr. Harrison ("He did it") as well as Benjamin Franklin ("Follow the wires").

My mom took over our normal chores so that we could have more time to film.  She also allowed us to use her closet as a studio and her phone as a movie camera.


This movie was filmed on an iPhone 4s and edited with Windows Live Movie Maker.  Lines were recorded with Audacity.


Note: this movie makes the most sense if one has seen the real Beyond the Mask first.  It can be ordered at http://beyondthemaskmovie.com/

Thursday, December 3, 2015

Beyond the Mask--54mm Plastic Soldiers

 The American Revolution-era movie Beyond the Mask was released earlier this year.  I recreated four of its characters with 54mm plastic soldiers.  I hand painted all of them, and a few were converted with a knife and some sculpting.  Clicking on a picture will enlarge it.

Will Reynolds
At one point in the movie, Reynolds becomes a masked highwayman, battling Loyalists and keeping Philadelphia firmly in the grasp of the Americans.  The original figure is by BMC.  I cut off the original figure’s knapsack to create Reynolds.

Mr. Harrison
Harrison is a Loyalist ringleader in Philadelphia.  He recruits his friends to thwart the city’s rebels by intimidation and sabotage.  While the picture shows Mr. Harrison in brown, there is one scene in the movie where he wears a gray overcoat.  The original figure is by Accurate.  The figure was originally standing firing a musket, but I cut the musket off, bent his arms, and added a pistol.

Benjamin Franklin
In the movie, Franklin runs a printing business and manages to avoid any Loyalist attacks on his print shop.  He employs Edmund Bentley and William Reynolds.  The original figure is by Accurate and was sculpted to look like Franklin.  I just cut his musket off and added a cane.

Edmund Bentley
A minor character, Bentley is fired from Franklin’s print shop.  He then joins Mr. Harrison’s Loyalist band, and appears to be Harrison’s trusted assistant.  While the picture shows him in a brown coat, he more often appears in his cream-colored waistcoat.  The original figure is by Marx and was intended to represent Johnny Tremaine.  No conversion was required on him.




Thursday, June 4, 2015

Beyond the Mask: My Thoughts

The Christian movie Beyond the Mask is releasing to 100 theaters in the United States tomorrow.  I saw this movie in May, and would highly recommend that everyone see it.  This is not my full review of this movie, nor does it contain any spoilers.

1. Story
The story is well-crafted, following Will Reynolds, a former assassin trying to hide his past.  Unfortunately for him, his past keeps cropping up and he is unable to escape it.

2. Visuals
The imagery of this movie is wonderful!  From carriages to Philadelphia, the movie is full of visually lavish scenes.  The costumes as well are recreated in all their 1776 glory.  For an analysis of one--controversial--costume, go here: http://defendingthelegacy.blogspot.com/2015/04/beyond-mask-charles-kemps-india-jacket.html

3. History
The movie is set in 1775-76 during the American Revolution.  Benjamin Franklin, Independence Hall, smugglers, the East India Company, highwaymen, and George Washington all appear in the movie.  While the story itself is fictitious, many of the details of 18th Century life are correct.

4. Personal
This movie is well-done and I would like it anyways, but I love it even more because I appear in it!  If you are curious where I am, I am a rich man on the streets of Philadelphia in company with three other rich men.  My coat is olive-green with gold waistcoat and breeches.  I also worked on construction for this movie, contributing to a street of Philadelphia, a ship, a windmill, and other things.

To find out if this movie is in your area, visit: http://beyondthemaskmovie.com/cities, and if you have any questions, please drop me a comment!  

Thursday, December 18, 2014

Beyond the Mask Official Trailer!

My friend William Moore of For Christ's Glory beat me to posting this, but here it is again anyway.  This exciting American Revolution movie is coming in April!  Find out more on how you can bring it to a theater near you at: http://beyondthemaskmovie.com/#/screenings

<iframe width="873" height="500" src="//www.youtube.com/embed/6pX6Ih7YhQ8" frameborder="0" allowfullscreen></iframe>

Thursday, November 6, 2014

Beyond the Mask Update



The Christian movie Beyond the Mask is coming close to its theatrical release!  The producers have released two videos with movie clips and information on how to bring it to a theatre near you.  I had the privilege to work on construction for this movie.  They will be releasing it in Spring 2015.
You can see their videos at http://beyondthemaskmovie.com/#/videos

Wednesday, August 31, 2011

Success!!




Praise the Lord! Burns Family Studios has reached their $20,000 goal for Beyond the Mask! The final count is $24,010 raised. For more information, look at their trailer on Kickstarter.

Monday, July 25, 2011

Beyond the Mask Movie

Burns Family Studios, maker of one of my favorite movies, Pendragon: Sword of His Father, recently announced a new feature-length film, Beyond the Mask. I was very excited about it, and best of all: it is set in my favorite century, the 18th century! This description is from their website.


This story is an action-fused historic adventure, set in the international turmoil of the mid 1770's. Running for his life, an East India Company assassin buried his past in a quiet English village, assuming the mantle of an Anglican priest. But this disguise won't last for long when a woman he loves and a war he no longer wants force him to confront the question of who he really is. In the face of a looming global conflict, he discovers for himself the meaning and source of true justification and freedom.



Fundamentally this is a story about where we find our identity. Each of us asks, why am I special, why is my work significant, who am I, and why should people respect me. The answers we find to these questions define how we live our lives. At Burns Family Studios, we believe that the greatest story ever told is the good-news of Jesus Christ--that the human condition to prove oneself over and over by performing to the critics doesn't iimpress God, and He accepts us in His Son, in-spite of, not because of, our best efforts. With this unmerited acceptance comes the only sure foundation for life.



All movies need funding, and Burns Family Studios has launched a fundraising campaign on Kickstarter. They need $20,000 by August 31. Please pray for Burns Family Studios, and consider supporting them financially.



P.S. Check out their trailers on Kickstarter!